Carl Fudge


Biography


1962    Born in London, United Kingdom
            Lives and works in New York, NY

Education
    
1985-88    Brighton Polytechnic, Sussex, United Kingdom
1987         Kansas City Art Institute, Kansas City, MO        
1988-90    Tyler School of Art, Philadelphia, PA

Solo Exhibitions

2010    Razzle Dazzle, Galerie Jean-Luc & Takako Richard, Paris

            Dazzle, Ronald Feldman Fine Arts, New York, NY

2008      Galerie Jean-Luc & Takako Richard, Paris, France

              Eugene Binder Gallery, Marfa, TX
2005      Ronald Feldman Fine Arts, New York, NY
              Camouflage, Galerie Jean-Luc & Takako Richard, Paris
              Carl Fudge, The Print Center, Philadelphia, NY
              Camouflage, Bernard Toale Gallery, Boston, MA
2004      Carl Fudge: Prints 2000-2004, Deutsche Bank, New York, NY
2003      Carl Fudge, Edward Mitterrand Galerie, Geneva, Switzerland
              Carl Fudge, Galerie Jean-Luc & Takako Richard, Paris, France
2002      Carl Fudge, Ronald Feldman Fine Arts, New York, NY
2001      Carl Fudge, Bernard Toale Gallery, Boston, MA
              Carl Fudge, Edward Mitterrand Galerie, Geneva, Switzerland
2000      Carl Fudge, Ronald Feldman Fine Arts, New York, NY
1998      Carl Fudge, Ronald Feldman Fine Arts, New York, NY
              Bernard Toale Gallery, Boston, MA
1997      Bernard Toale Gallery, Boston, MA
              Shoshana Wayne Gallery, Santa Monica, CA
              Schmidt Contemporary Art, Saint-Louis, MO
1996      Lauren Wittels Gallery, New York, NY
1995      Lauren Wittels Gallery, New York, NY
1993      Locks Gallery, Philadelphie, PA
1992      Shoshana Wayne Gallery, Santa Monica, CA
1991      The Fabric Workshop and Museum, Philadelphia, PA

Selected Group Exhibitions

2010     Works on Paper, Galerie Jean-Luc & Takako Richard, Paris

2008     Styrofoam, Museum of Art, Rhode Island School of Design, Providence, RI

              University of Richmond Museum, The Harnett Biennial, RIchmond, VA

              Fresh Impression, Seattle Art Museum, Seattle, WA

2007      Arte Fiera, Galerie Jean-Luc & Takako Richard, Bologne, Italy

              Hot Off the Press, The Grolier Club, New York, NY

2006      Arte Cologne, Galerie Jean-Luc & Takako Richard, Cologne, Allemagne

              Extreme Abstraction, Galerie Jean-Luc & Takako Richard, Paris

              Homecoming, Johnson County Community College of Art, Overland Park, KS

              Pace Editions NYC, Jan Weiner Gallery, Kansas City, MO

2005      A Closer Look, Arcadia University Gallery, Glenside, PA

              Decipher: Hand-Painted Digital, The Rotunda Gallery, Glenside, PA

2004      Glow, Steinhilber Art Gallery, University of Wisconsin, Oshkosh, WI

              FEED> Artists + Digital Influence, Sandra and David Bakalar Gallery, Massachusetts College of Art, Boston, MA

              Drawn to the Present, Pace University Art Gallery, Pleasantville, NY

              Surface Tension, Chelsea Art Museum, New York, NY

              My Americas, Edward Mitterand Gallery, Geneva, Switzerland

             Analog click click, Temple Gallery, Tyler School of Art/Temple University, Philadelphia, PA

             Art Frankfurt, Galerie Jean-Luc & Takako Richard, Frankfurt, Germany

             Art Rotterdam, Galerie Jean-Luc & Takako Richard, Rotterdam, Holland

2003     Reflection, Miriam & Ira D. Wallach Art Gallery, Columbia University, New York, NY

             NYPD, Shoshana Wayne Gallery, Los Angeles, CA

             Decade, Shroeder Romero, Brooklyn, NY

             Visions and Revisions: Art on Paper Since 1960, Museum of Fine Arts, Boston, MA

             American Dre@m, Ronald Feldman Fine Arts, New York, NY

             Sorta, Consolidated Works, Seattle, WA

             Condition Red, Eugene Binder Gallery, Marfa, TX

2002     Post-Digital Painting, Cranbrook Art Museum, Bloomfield Hills, MI

             New-Economy Painting, Acme, Los Angeles, CA

             What`s Hot and New in 2002, Katonah Museum of Art, Katonah, NY

             Artists to Artists: A Decade of The Space Program, An Exhibition of Works from the Space

             Program of the Maris Walsh Sharpe Art Foundation, Ace Gallery, New York, NY

             Media Art Daejeon-New York: Special Effects, Daejeon Municipal Museum of Art, Daejeon, South Korea

             New Editions and Monoprints, Pace Prints, New York, NY   

             Season Review: Fall `01- Spring `02, Ronald Feldman Fine Arts, New York, NY

2001     BitStreams, Whitney Museum of American Art, New York, NY   

             Digital: Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY

             Into the Gray, Eugene Binder Gallery, Marfa, TX

             Art Transplant: British Artists in New York, British Consel of New York, NY

             Digital Innovations in Printmaking, Design Arts Gallery, Drexel University, Philadelphia, PA

             Portraits, Edward Mitterand Galerie, Geneva, Switzerland

             Maleri, Galerie Charlotte Lund, Stockholm, Sweden

2000     Small Abstract Paintings and Sculpture, Eugene Binder Gallery, Long Island City, NY

             Summer Exhibition, Ronald Feldman Fine Arts, New York, NY

             Bernard Toale Gallery, Boston, MA

             PICT, Banff Center for the Arts, Banff, Canada

             Glee: Painting Now, Aldrich Museum of Contemporary Art, Ridgefield, CT and Palm Beach Institute

              of Contemporary Art, Palm Beach, FL

              University of the Arts, Philadelphia, PA

1999     Conceptual Art as Neurobiological Praxis, Thread Waxing Space, New York, NY

              New Museum Gala, New Museum, New York, NY

1998      The Baroque Bash: A Fan Fantasy, The John and Mable Ringling Museum of Art, Sarasota, FL

               Kind of Abstraction, Seattle Art Museum, Seattle, WA

               Raise the Roof, White Columns, New York, NY

               Wall Paper, Nicholas Davies Gallery, New York, NY

               Summer Exhibition 1998, Ronald Feldman Fine Arts, New York, NY

               Static, Eugene Binder Gallery, Long Island City, NY

               Contemporary British Art, Denver Museum of Art, Denver, CO

1997       Carl Fudge, John Pomara, William Wood, Eugene Binder Gallery, Long Island City, NY

                Woven in Oaxaca, A/D, New York, NY

1996        Valentine`s Auction, Leo Castelli Gallery, New York, NY

                White Columns Benefit Auction, White Columns, New York, NY

                Momenta Art Benefit Auction, Ronald Feldman Fine Arts, New York, NY

                Prix Whanki Finalists, Whanki Museum, Seoul, South Korea

                Grammercy International Art Fair, The Drawing Center, New York, NY

                Gems, Schmidt Contemporary Art Gallery, St. Louis, MO

                Cadmium Cathode, Sauce, Brooklyn, NY

                48th Annual Academy Museum Purchase Exhibition, American Academy of

                 Arts and Letters, New York, NY

                 Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO

1995         Maux Faux, Ronald Feldman Fine Arts, New York, NY

                 Who Chooses Who?, The New Museum, New York, NY

                 Open Your Hear, Christine Rose Gallery, New York, NY

1994         14 at 55, 55 Mercer Street, New York, NY

                 Take me to God, Jose Freire Fine Art, New York, NY

                  Conclusions Drawn, Miller Block Gallery, Boston, MA

                  Faux, Ronald Feldman Fine Arts, New York, NY

1993          Patterns on Paper, M.L.C.A., Haverford, PA

                  Painting, Locks Gallery, Philadelphia, PA

                  Contemporary Printmaking: 1970 to the Present, Philadelphia

                  Museum of Art, Philadelphia, PA

                  Selections/Winter `93, The Drawing Center, New York, NY

                  Basel Art Fair, Daniel Newberg Gallery, Basel, Switzerland

                  The Medium is not the Medium, Barbara Toll Gallery, New York, NY

                  Return of the Cadavre Exquis, The Drawing Center, New York, NY      

1992          Excess in the Techno-Mediocratic Society, Musée d`Arbois, Arbois, France

                  Touring Vienna, Austria, München, Germany and Shoshana,

                  Wayne Gallery Gallery, Los Angeles, CA       

                  Paper, Fawbush Gallery, New York, NY

            

            

 


Selected Bibliography

Working Proof : Carl Fudge, ART ON PAPER, July/August 2000, P.50
Anton, Saul. Net Gains : A Rountable on New-Media Art, ARTFORUM XXXIX, n°7, March 2001, pp.118-125, 159
Biro, Matthew. Detroit : Cranbrook Art Museum, Post-Digital Painting, CONTEMPORARY, 2003, n°50, pp.90-91
Brody, David. Carl Fudge: Dazzle at Ronald Feldman Gallery, April, 2010, artcritical.com

Cappellazzo, Amy et Hough, Jessica. Glee, Painting Now, Ridgefield, CT, Aldrich Museum of Contemporary Art, 2000
Cash, Stephanie. Artists’Studio Program May Loose Space, ART IN AMERICA, June, 2001, p.23
Clifford, Katie. BitStreams, ARTNEWS 100, n°6, June, 2001, p.127
Corn, Alfred. Carl Fudge at Lauren Wittels. ART IN AMERICA, April 1997, pp. 117-18
Cotter, Holland. Carl Fudge at Lauren Wittels, THE NEW YORK TIMES, 3rd March, 1995
Dailey, Meghan. Glee: Painting Now, ARTFORUM, December 2000, pp.149-150
Dannatt, Adrian. Hip goes higher and higher, THE ART NEWSPAPER, 2001 November, p.69
Giovanni, Micaela. BitStreams, TEMA CELESTE  XVIII, n°85, May/June, 2001, p.102
Glueck, Grace. Carl Fudge, THE NEW YORK TIMES, 28th April, 2000, p.E39
Glueck, Grace. Carl Fudge, THE NEW YORK TIMES, 21st April, 2000, p.E40
Goldberg, Vicki. Industry and Art: A long Embrace. THE NEW YORK TIMES, 22 April, 2001, p.AR38
Grenier, Alexandre, Extreme Abstraction, PARISCOPE, 15th to 21st February, 2006, p.84
Grotz, Von Lisa. Kunst mit dem Computer : Carl Fudge und Dürer, DIE  WELT, 7th December, 2002
Hirsch, Faye. Carl Fudge, ART ON PAPER  7, n° 6 , April, 2003, p.57
Houston,. Joe. Post-Digital Painting, Bloomfield Hills, MI, Cranbrook Art Museum, 2002
Jarell, Joe. Technologlut Excess in the Techno-Mediocratic Society at Shoshana Wayne Gallery, ARTWEEK, 19th August, 1993
Johnson, Ken. Carl Fudge. THE NEW  YORK TIMES, 3rd April, 1998, p.E42
Kangas, Matthew. Two exhibits affirm ConWorks’rise in art world. SEATTLE TIMES, Friday 28th February, 2003
Kastner, Jeffrey. Bit by Bit, the Digital Age Comes Into Artistic Focus. THE NEW  YORK TIMES, March 18th, 2001. pp. E31, E36
Kimmelman, Michael. Creativity Digitally Remastered, THE NEW YORK TIMES, March 23rd, 2001, pp. E31, E36
Kino, Carol. Faux, ARTNEWS, January 1995, p.165
Kuspit, Donald. Report From NY. ART NEW ENGLAND 22, n°5 , August/Spetember, 2001, pp. 8-9
Levin, Kim. Carl Fudge, THE VILLAGE VOICE, 30 April, 2002, p.97
Mendelsohn, Meredith. Weekend Update, ARTNET.COM MAGAZINE, www.artnet.com/magazine/reviews.html, 21 April, 2000.
Miles, Christopher. Tracking Patterns, ART IN AMERICA, February, 2004, pp.77-81
Pollack, Barbara. Back to the Future with ‘Bitstreams’, ART IN AMERICA, n°9 ,September, 2001, pp. 60-63
Rinder, Lawrence. 2002 Media Art Daejeon – New York : Special Effects, Daejeon, South Korea, Daejeon Municipal Museum of Art, 2002
Sandler, Irving. Art Transplant : British Artists in New York, New York, NY, UKNY, 2001
Schmerler, Sarah. Carl Fudge, ARTNEWS 97, n° 8, September, 1998, pp.168-170
Schwabsky, Barry. Prix Whanki Exhibition, Seoul, South Korea, Whanki Museum, 1996
Scott, Andrea. Bitstreams. FRIEZE, n° 61 , September, 2001, pp. 96-97
Scott, Andrea. Conceptual Art as Neurobiological Praxis, TIME OUT NEW YORK, n° 187, 22th to 29th April, 1999, p.66
Smith, Roberta. A profusion of Painting, Very Much Alive, THE NEW YORK TIMES, 10th May, 2002, pp.E31,E43
Stockwell, Craig. Glee : Painting Now at the Aldrich Museum of Contemporary Art, ART NEW ENGLAND n°2, February/March, 2001
Stroud, Marion Bolton.  An Industrious Art : Innovation in Pattern and print at The Fabric Workshop, W.W. Norton, 1991, pp. 174-175
Viveros-Fauné, Christian. Fabstraction. NEW YORK PRESS, 26th April to 2nd May, 2000, p.5
Wood, Eve . Reimagining Painting, ARTNET.COM, www.artnet.com/Magazine/reviews/wood/wood3-22-02.asp
Yablonsky, Linda. How  Far Can You Go?, ARTNEWS, January, 2004, pp.104-109
Yzanto, Andras. A Business Built on the Hard-to-Sell, THE NEW YORK TIMES, 10th May, 2002, pp.AR 35,37
Zimmer, William. Serious Abstract Paintings with a Non serious Message, THE NEW YORK TIMES, 31st December, 2001

Collections

Arcadia University, Glenside, PA
Boston Museum of Fine Arts, Boston, MA  
Brooklyn Museum of Art, Brooklyn, NY
Denver Museum of Art, Denver, CO
The Fabric Workshop and Museum, Philadelphie, PA
Philadelphia Museum of Art, Philadelphie, PA  
Seattle Art Museum, Seattle, WA
Sprint Corporation, Oberlin Park, KS
Whitney Museum of American Art, New York, NY

Awards

New York Foundation for the Arts Recipient (Deutsche Bank Fellow), 2003
The Marie Walsh Sharpe Art Foundation Space Program, 1997