Scott Anderson


Biographie

 SCOTT ANDERSON

 

1973       né à Urbana, IL, Etats-Unis

               vit et travaille à New Mexique, Etats-Unis

 

EDUCATION

 

2015       Skowhegan School of Painting and Sculpture

2003       University of Illinois at Urbana-Champaign [ m.f.a. ]

1997       Kansas State University [ b.f.a. ]

 

 EXPOSITIONS PERSONNELLES

 

2017     Lovers and Thinkers, Galerie Richard, Paris

2016     Untitled, Miami Beach, Galerie Richard, Miami Beach, FL

             Supper Club, CES Gallery, Los Angeles, CA

             Supper Club, Nerman Museum of Contemporary Art, Overland Park, KS

2015     Wiseguys, CES Gallery, Los Angeles, CA

2013     Future Perfect Tense, with Orion Wertz, Biggin Gallery, Auburn University, Auburn, AL

2009     Join or Die, Stux Gallery, New York, NY (Catalog)

2008     Rendezvous Point, Light and Sie Gallery, Dallas, TX (Catalog)

             Misiisto, Kavi Gupta Gallery, Chicago, IL

2007     Guru, Kavi Gupta Gallery, Leipzig

2005     Re Krei, Kavi Gupta Gallery, Chicago, IL

             Aneksi, Mark Moore Gallery, Santa Monica, CA

2004     Neo Pejzago, Galerie Richard, Paris (Catalog)

2003     12x12, New Artists New Work, Museum of Contemporary Art, Chicago, IL

              Chicago Cultural Center, Chicago, IL

              Miami University of Ohio, Oxford, OH.

2001      Esperanto for Forage, Peter Miller Gallery, Chicago, IL

 

EXPOSITIONS COLLECTIVES (sélection)

2017      The Wild West, avec William Bradley, David Ryan, Jeremy Thomas Galerie Richard, New York

                    Painting in due time, Thomas Erben Gallery, New York, NY

                   Volta 12, Bâle, Galerie Richard, Paris

                    SWAB Barcelona, Galerie Richard, Paris

2016       On the Nose, two-person exhibition avec Austin Eddy, Denny Gallery, New York, NY

                Phantom Limb, Shulamit Nazarian Gallery, Los Angeles, CA

                Alcove Show, New Mexico Museum of Art, Santa Fe, NM

2015        Inside/Outside, Common Street Arts, Waterville, ME

                Kansas, with David Leigh, Philspace, Santa Fe, NM

                Fantasy of Representation, Beers of London, London

                Ducks:LA, Minotaur Projects, Los Angeles, CA

2014        Ducks, Greenpoint Terminal Gallery, Brooklyn, NY

                Reverb II, Bowling Green State University, Bowling Green, OH

2013        The 10th Circle, Vast Space Projects, Henderson, NV

                New Surrealism, Mirus Gallery, San Francisco, CA

                Reverb: Current Abstraction in Painting, University of Northern Iowa Gallery of Art, Cedar Falls, IA

2011        Streams of Consciousness, Salina Art Center, Salina, KS

                Always Nowadays, SCA Contemporary, Albuquerque, NM

2010        Underground Pop, Parrish Art Museum, Southampton, NY

                Bunny Redux, Warhol Museum, Pittsburgh, PA

                Cut, Shuffle, Draw, Columbus State University Galleries, Columbus, GA

                Guerrero Gallery, San Francisco, CA

                Tethered to My World, Highland Park Art Center, Highland Park, IL

                2010+1 Young Painters: The Miami University’s 21rst Century Painting

                Collection, Heistand Galleries, Miami University of Ohio, Oxford, OH

2009        Low Blow, Stux Gallery, New York, NY

                Beatutiful/Decay A to Z, Kopeikin Gallery, Los Angeles, CA

                Landscape Affected, Haggerty University Gallery, University of Dallas, Dallas, TX

2008        Future Tense: Reshaping the Landsdape, Neuberger Museum, Purchase, NY   

                Wild Kingdom, Nerman Museum of Contemporary Art, Overland Park, KS

                Wintergarten, Kavi Gupta Gallery, Berlin

                West, Wester, Westest, Fecalface Dot Gallery, San Francisco, CA

                Apocalypse Yesterday, Claremont Graduate University, Los Angeles, CA,

                Cultivating Instability, Cliff Dwellers, Chicago, IL

                New Work From Chicago, Road Agent Gallery, Dallas, TX

2007         Me and My Katamari, Lisa Boyle Gallery, Chicago, IL

2006         Mutiny!, Happy Lion Gallery, Los Angeles, CA

                 Homecoming, Epstein Gallery, Leawood, KS

                 Homecoming, Johnson County Community College, Overland Park, KS

                 Après moi, le deluge, FA Projects, Londres

                 We Build the Worlds Inside Our Heads, Freight & Volume Gallery, New York, NY

2005         Strange Fictions, Tarble Art Center, Eastern Illinois University, Charleston, IL           

2004         Architecture Untethered, Numark Gallery, Washington, D.C. (Brochure)

                 Two-person exhibition with Aaron Baker, Community College of Southern Nevada, Las Vegas, NV (Brochure)

                The Babble of Towers, Columbus State University, Columbus, GA (Brochure)

                 Mental Space, Wendy Cooper Gallery, Madison, WI                        

2003        Post-Digital Painting, Cranbrook Art Museum, Cranbrook Academy, Bloomfield Hills, MI (Catalogue)

                Painting!, University Art Galleries, Central Michigan University, Mt. Pleasant, MI.(Catalogue)

2002        Painting and Illustration, Luckman Gallery, California State University, Los Angeles, CA 

                Social Landscape, P.P.O.W. Gallery, New York, NY

                Nubo Wave Map Space Bubble, University Galleries, Illinois State University, Normal IL, (Brochure)

 

BIBLIOGRAPHIE

Johnson, Grant, "Scott Anderson," Artforum.com, May 2, 2016

Pagel, David, "In Scott Anderson's 'Supper Club' Paintings, Pretty Isn't the Point," Los Angeles Times, Apr. 14, 2016 (image)

Grabner, Michelle, essay for "Inside/Outside," Common Street Arts, Waterville, ME, July 2015

Pagel, David, "Dystopian Abstraction," Art Pulse Magazine, No. 17, Vol. 5, 2013 (image)

Park, Steve, “No Soup Cans in This Pop Art,” Newsday, 2010

Droitcour, Brian, “Publish or Parrish,” Artforum.com, Scene and Heard, August 22, 2010

Landes, Jennifer, “Pop Goes Underground,” The East Hampton Star, December 31, 2010

Ernst, Eric, “Between Pop and Postmodern,” 27 East, East Hampton Press + Southampton Press, Sep. 27, 2010

The Wolf Magazine for New Poetry, artist in residence, issue no. 23, June 2010         

 Wolff, Rachel, “Pop Goes Mighty Mouse,” Art News, Summer 2010, p.33

 Johnson, Ken, “The Allure of the Homespun in the Maw of the Digital Age,” The New York Times.com, Sep. 2, 2010

 Artner, Alan G., Chicago Tribune, March 21, 2008 (image)

 Genocchio, Benjamin, “Today’s Landscapes, Tomorrow’s Dystopia, New York Times, June 1, 2008

 Bon Magazine, “Young Masters,” Fall 2007, pp. 57, 60, 64, (images)

 Pagel, David, “Dramatic in any language,” Los Angeles Times, April 8, 2005 (image)

 Playboy Magazine, May 2005, pp. 64-65 (image)

 Dawson, Jessica, “Design and Structure in 3-D,” Washington Post, Thursday, Oct. 21, 2004

  New American Paintings, Volume #53, Fall 2004 (image)

  Wertz, Orion, exhibition brochure essay from “The Babbel of Towers”, Oct. 2004

  Biro, Matthew, Contemporary, issue #69, 2004, p.77

  Ellegood, Anne, essay for “Architecture Untethered” exhibition, Sep. 2004

  Green, Tyler, art blog entry, Mondernartnotes.com, October 2004

  Pagel, David, essai de catalogue, Galerie Jean-Luc and Takako Richard, Paris, 2004

  Murphy, J.J., essay accompanying “Mental Space” exhibition, January 2004           

  Mouth to Mouth, “Word for Word,” collaborative interview with Aaron Baker, Winter 2004, pp. 15-21 (image)

 Artner, Alan G., “Scott Anderson’s Odd Beauty,” Chicago Tribune, April 18, 2003 (image)

 Azizian, Carol, “Cranbrook exhibit driven by technology,” Flint Journal, January 3, 2003

 Blinderman, Barry, “Painting in the Digital Age,” essay for 4th Annual Miami University Young Painters exhibition, Jan. 2003

 Brunetti, John, “Scott Anderson and Cyber-Landscape,” The C.A.C.A. Review, Oct. 2003, p. 3

 Camper, Fred, “Imperfect Worlds,” Chicago Reader, April 11, 2003, pp. 26-27 (image)

 Chomin, Linda Ann, “Post-Digital exhibit captures painting ‘of the moment’,” Observer & Eccentric, March 6, 2003

 Cohen, Keri Guten, “Artists use technology in paintings,” Detroit Free Press, January 5, 2003

 Colby, Joy Hakanson, “’Post-Digital Painting’ pumps new technology into aging art form.” Detroit News, Jan.30, 2003

  Farstad, Julie, Mouth to Mouth, Spring 2003, pp. 43-44 (image)

  Haddad, Natalie, “Digital Simulation,” Real Detroit Weekly, March 12-18, 2003

  Houston, Joe, essay from “Post-Digital Painting” exhibition catalog, 2003, pp. 11-13, (image)

 Jones, Richard O, “Future looks bright for digital painting”, Journal News, Hamilton, OH, Jan. 24, 2003 (image)

 Joyce, Julie, catalog essay, Light and Sie Gallery, Dallas, TX

 Knight, Gregory and Silverman, Lanny, essay for exhibition at Chicago Cultural Center, Sep. 2003

Moffett, Nancy, “30 and Below,” Chicago Sun-Times, March 29, 2003

 Spector, Buzz, catalog essay from “Painting!”, Central Michigan University, Mt. Pleasant, MI, Oct. 2003 (image en page de couverture)

 Tysh, George, “Art 1010101010101010, Cranbrook’s ‘Post-Digital Painting boots up wild new worlds,” Metro Times, Jan. 29, 2003           

  Blinderman, Barry, essay from “Nubo Wave Map Space Bubble,” brochure, Jan. 2002 (image)

  Finch, Leah, “Scott Anderson”, New Art Examiner, March-April 2002, pp. 78-79 (image)

  Ross, Adam, essay accompanying the exhibition, “Painting and Illustration,” Sep., 2002

  Artner, Alan G., “Gallery Season Guide,” Chicago Tribune, September 2001

  Artner, Alan G., “Visions by four.  The theme is apocalypse, the art, Inventive.”Chicago Tribune, Aug. 10, 2001, p.32           

  Beautiful/Decay, Issue X, featured artist (image de pager de couverture et image en pages intérieures)

  Beautiful/Decay, Issue Z, (image)

  Beautiful/Decay, Book 6, “Future Perfect”, (image)

  Champaign-Urbana Octopus, April 13-19, 2001 (image en page de couverture)

  Cook, Christopher, catalog essay for Revolucio, on the occasion of Join or Die, Stux Gallery, New York, NY

  DiMichele, David, “Painting and Illustration at the Luckman Gallery,” Artweek, Dec. 02/Jan. 03

  Finch, Leah, “Apocalypse Next Week,” Dialogue, Septembre 2001, pp. 31-35 (image en page de couverture)

  Hannum, Terence, entretien in Beautiful/Decay, issue “X,” pp. 44-53 (images et image de page de couverture)

  Neuhoff, Tony, “Apocalypse Next Week,” New Art Examiner, nov-déc 2001, pp. 93-94

  New American Paintings, Volume #35, Septembre 2001 (image)

  Spector, Buzz, essay from “Apocalypse Next Week” exhibition brochure, juillet 2001 (image)

  Champaign-Urbana Octopus, “Today in Eight Parts graces I-Space,” mars 16-22, 2001 (image)

 

  COLLECTIONS PUBLIQUES ET PRIVÉES

  Nerman Museum of Contemporary Art, Overland Park, KS

  Pauline Karpidas, Genève, Suisse

  Raymond Learsy et Melva Becksbaum, Sharon, CT

  Nombreux autres collections privées