Kiyoshi NAKAGAMI - Epiphany II
Galerie Richard in New York presents for the first time thirteeen paintings by Kiyoshi Nakagami in a solo exhibition entitled “Light in Painting” from January 15 to February 22, 2020. Galerie Richard has been representing Kiyoshi Nakagami since 2003. The exhibition gathers works from 2012 to 2017. This exhibition emphasizes the diversity of his works, varying the composition, the sources of light, the density and contrast of light.
“As a painter, there is nothing more difficult to represent than light. The ones who can do that are the greatest painters, greatest artists.” – Kiyoshi Nakagami
The audience is drawn to focus on the disposal of light in the painting, its density which varies from one painting to the other, and of course its dispersion within the dark space. The light spreads through a series of perfectly sumptuous grades. Below the focal point of light, the light must cross an undefined, vaporous matter. In this show you can see paintings with two vaporous matter instead of one. Youn can also see similar paintings with a similar composition but with a very different intensity and contrast of light. His ability to beautifully reproduce the diffusion of light in a painting is unrivaled.
His first exhibition in New York in 2012 was reviewed for the first time in Artforum by Donald Kuspit: «Accordingly, Nakagami «paints» by laying his acrylic on the canvas, moving it this way and that, and allowing gravity to move the pigment, which he has «enriched» with gold mica. The resultant works filled with meticulous ripples and evoking cascades of light bear no trace of the paintbrush. This absence of painterly gesture is also suggestive of Neuman’s work, reminding the means by which he attempted to unencumber the experience of pure color. Likewise, for Nakagami, the removal of the maker’s hand is meant to facilitate meditative contemplation (1).
Because he considers that human being does not rule Nature, he allows natural processes to develop in his paintings. These perfectly detailed paintings are made without the use of a paintbrush. «Nakagami does not reproduce the light of the natural world. The light of his paintings exists only in painting. The artist’s awareness of time in the concentrated moment in which light is made manifest is closely associated with the surprise of encountering something ephemeral and sublime» (2).
Nakagami was born in Shizuoka in 1949. His work is part of the collections of The National Museum of Modern Art in Tokyo, The Art Museum in Yokohama, The Art Museum in Kamakura & Hayama, The Prefectural Gallery in Kanagawa. The art critics Donald Kuspit, Daniel Gauss, C.B. Liddell, Taney Roniger, Jonathan Goodman, Robert C.Morgan, have written on his exhibitions.
(1) Kuspit, Donald. Kiyoshi Nakagami – Galerie Richard, Artforum, December 2012, p.278-279
(2) Yamanashi , Toshio. On the New Work of Kiyoshi Nakagami : Light from Afar, in catalogue Kiyoshi Nakagami, The Museum of Modern Art, Kamakura & Hayama, p.15