Rémy HYSBERGUE is taking part in the seventh edition of the international biennial ‘Le Latitudini dell’Arte’, organised at the Galata Museo del Mare in Genoa, curated by Virginia Monteverde and accompanied by a critical essay by Viana Conti. The exhibition explores the themes of transition, mobility, identity and the evolution of contemporary art through a cultural dialogue between Italy and France. It will run from 30 June to 6 September 2026.
Claudia DESGRANGES will be exhibiting as part of a group exhibition at the Manoir – Centre d’Art et de Villégiature titled “Faire abstraction.” The exhibition will run from october 10 to november 7, 2026.
Art critic and artist Gary BREWER wrote an excellent review on Rémy HYSBERGUE’s solo exhibition, which ran from April 18 to May 16, 2026, published in the June 2026 issue of WHITEHOT magazine, one of the leading American magazines specializing in contemporary art.
Galerie Richard is pleased to announce that it is representing the artist Florian FAUSCH. Born in Zurich and based in Düsseldorf, Florian FAUSCH is one of the few painters whose works can be appreciated as both figurative and abstract. Their visual harmony also stems from his ability to layer various painting techniques on a single canvas.
Art Press magazine has published an article on Gilles TEBOUL’s solo exhibition at Galerie Richard. The artist’s recent and previously unseen works are featured in the article, which highlights the contemporary and sensitive nature of his painting.
Arch CONNELLY went to Paris at Galerie Richard in 1990 and 1991, and sadly passed away in 1993. Galerie Richard organized six exhibitions with his works.We are happy to inform that his works will be presented in the Aspen Art Museum in Summer 2026, his first solo exhibition in a museum . This recognition highlights the enduring impact of his work and artistic legacy (1950–1993), a Chicago-born artist who emerged as a vibrant figure within New York’s East Village art scene of the 1980s.
Thomas ZITZWITZ is currently presenting his new works at KWADRAT Gallery in Berlin-Kreuzberg during the Gallery Weekend Berlin.
Galerie Gilla Loercher is very pleased to present a solo show called “Jaune de Mars” by artist Claudia DESGRANGES.
The exhibition will run from March 7 to April 17, 2026.
Painter Claudia DESGRANGES artistic work refers to an examination of abstract modernism, minimalism, abstract expressionism and color field painting. And in doing so, she creates something completely new. When asked about her painting, the Cologne-based artist says: “My goal is to achieve freedom in painting, to go beyond conventions, to initiate new ways of seeing…”
Dennis HOLLINGSWORTH reviewed with a video the new Paul Klee exhibition entitled “Paul Klee: Other Possible Worlds” at the Jewish Museum, NYC, running from March 20 to July 26, 2026.
Dan HAYS’s paintings will be featured in the group exhibition entitled “Making Ground” at Thames-Side Studios Gallery in London, from March 28 to April 12, 2026.
Three works of Rainer GROSS are included at the Nassau County Museum in Roslyn, New York, from March 21 to July 12, 2026.
Jérôme BOUTTERIN’s paintings will be featured in the group exhibition
entitled “Subito presto 4 – des peintures –”, an initiative by Gabriele Chiari and Claire Colin-Collin, at Schauraum in Paris, on April 11 and 12, 2026.
Scott ANDERSON’s next solo exhibition will be at the Mariana Kistler Beach Museum at Kansas State University from November 11, 2026 to September 11, 2027.
Major exhibition by Marius LÜSCHER entitled “Stop and Go” at the Kunstverein Heilbronn from 14 February to 26 April 2026.
Shirley KANEDA’s recent paintings will be exhibited at Art Basel Hong Kong in 2026 by Galerie Kiang Malingue.
Claudia DESGRANGES’ abstract paintings are featured in the exhibition “Abenteuer Farbe” (Colours of Adventure) at the Märkisches Museum Witten until 27 September 2026.
Marc RENARD (Brussels, 1963) is exhibiting at the Galerie Richard in Paris. He says of this exhibition: “In this exhibition, I explore multiple pictorial universes where the tension between erasure and revelation is constantly at play. Between unique techniques and varied media. The works bring to light what seemed hidden, while exploring the interplay of transparency and matter.” The universe that the artist unfolds emphasizes a gesturality that is both thoughtful and spontaneous, imprinting a powerful yet free lyricism, albeit one that is strongly structured. A play of dynamic balances magnified by chromatic intensities and the vigor of the lines.
Jean-Luc and Takako Richard are very pleased to represent the artist Claudia DESGRANGES in France.
“Desgranges is perhaps less a painter than a choreographer; the story she tells is the story of color movements, color rhythms, color pauses, color durations, intensities of appearance and disappearance. Her works and installations reflect life without becoming anecdotal (…)”.
Roland Scotti, former director of the Liner Museum, Appenzell (CH)
Photo Credit : JLR
We are delighted to announce that Joseph NECHVATAL is joining the prestigious Table of the Elements label. Two releases are scheduled for this autumn: Selected Sound Works (1981-2021) and The Marriage of Orlando and Artaud, Even, a book and CD. The label has just unveiled its 2025 catalog, featuring a remarkable selection of artists.
Jean-Luc and Takako Richard are pleased to invite you to meet them and sign the booklet. Théo & L’Art by Martine MOUGIN (photographer), at the gallery on Thursday June 19 from 4pm to 7:30pm.
This booklet tells the story of a little boy’s discovery of contemporary art, his interest in it and its gestural manifestations (attitudes), his first questions. Sylvie REYMOND-LÉPINE
Galerie Richard welcomes MuseIA – its founders Cécile Calé & Claude Darras – on Tuesday, June 17, 2025 at 7pm: “Peindre d’ Après le numérique?” This entry is indexed and backed by the gallery’s 40-year history, confirmed by current events Hervé HEUZÉ.
From July 4 to August 31, Laurence PAPOUIN will be part of the group show featuring 12 artists for the 34th edition of L’Art dans les chapelles. “Through a subtle interplay of translucency, relief and collaged paint ”skins”, Laurence PAPOUIN questions the relationship between time and creation. Her compositions, both vibrant and ephemeral, blend fluid abstraction and raw materiality.”
Rémy HYSBERGUE – High definition, interview with Karim Ghaddab in issue 532, April 2025 – art press
Joseph NECHVATAL, viral attaque : transmissioN (1993) 180 x 275 cm, painting on canvas assisted by computer-robotics. Viral attaque : transmissioN (1993) concerns the AIDS virus epidemic, paralleled by concerns about computer viruses.
Discovery exhibition of Mi Ryang LIM, a Korean artist represented by PBG Gallery in Seoul.
Article by MutualArt for Carl FUDGE’s exhibition called “Techno-Abstraction”
Article by Artforum for Koen DELAERE’s exhibition “Run Run Run”. On the website : https://artguide.artforum.com/artguide/galerie-richard-paris-1846/run-run-run-241067
Artfacts for Koen DELAERE’s “Run Run Run” exhibition
Koen DELAERE exhibits at the 20th anniversary of the Van Horn Gallery in Düsseldorf. This is followed by a representation of the artist by Fox Jensen Gallery in Sydney and Fox Jensen McCrory Auckland at the Melbourne Art Fair. He will also exhibit at Art Bruxelles with Galerie Van Horn and at Art Basel Hong Kong again with Fox Jensen and Fox Jensen McCrory. Finally, a solo exhibition will be held at the Fox Jensen Gallery in Sydney.
Three paintings by David RYAN have entered the John & Geraldine Lilley Museum of Art in Reno, Nevada.
Johanna Marie SCHIMMING was born in 1988 in Dresden, Germany, and graduated in 2011 from the Istituto Europeo di Design in Rome. She lives and works in Paris. Her abstract painting is characterized by a combination of gestural abstraction in matter, gradations of light and geometric forms. Her work has been exhibited in France, Germany, the UK, Italy, Belgium and South Korea.
“Finally, inspired by architect Le Corbusier’s Modulor, Nicolas Guiet invites us to interact with his sculpture, reminding us that our bodies are the scale of our relationship to the world.”
The art center “les 3 Cha” is organizing a solo exhibition by Nicolas GUIET entitled “Chambard Aconché”, featuring geometric installations. “Geometric elements emerge from the ground as other tubular elements rise up, invading the space to create a gigantic three-dimensional colored design in a visual breath organized by rising and falling rhythms. Orthogonality and curvature combine in a complementary dynamic harmony.”
Jean-Luc and Takako Richard are glad to announce that they represent Frédéric PRAT. Frédéric PRAT was born in 1966 and graduated from the High School of Fine Arts in Paris in 1992. He lives and works in Paris. His paintings were exhibited mainly in France, Germany and Luxembourg. His works have been part of the MUDAM (Musée d’Art Contemporain du Luxembourg) Collection since 2008.
Eric Simon publishes a summary of new developments in Rémy HYSBERGUE’s abstract paintings in ACTUART.
Jean-Luc and Takako Richard are delighted to announce that they represent Nicolas GUIET.
“My work is an extension of the history of painting, and its approach, by enumerating its principles, relies on gestures traditionally attributed to the painting. Often a canvas stretched over a wooden frame, then painted. Sometimes, wooden panels are assembled and painted. A “light practice” of surface and color.
Color poses a real pictorial question of physical and sensitive space, but is itself an object. Most of the time, it comes from there, borrowed here and there from our most common, everyday chromatic environment. Extracted then reinjected, thus transformed by other connections and situations, its origin is then rather difficult to identify, and here again interpretation continues the presentation.”
Acquisition of Dan HAYS’s “Separation” by the Columbus Museum of Art in Ohio.
Joseph NECHVATAL in Art of the 1980’s. July 17th De Gruyter publication of Art of the 1980s: As If the Digital Mattered by art historian Patrick Frank. Who are the important artists of the 1980s? This book urges a new look at that question in light of the digital direction of our culture since then. Specifically, 5 artists used advanced technology during that decade in ways that foreshadow many of today’s concerns. Joseph NECHVATAL, Lynn Hershman Leeson, Nancy Burson, George Legrady, Gretchen Bender.
Eric Simon publishes a fine synthesis of new developments in Shirley KANEDA’s abstract paintings in ACTUART.
Carl FUDGE and Robert RAUSCHENBERG exhibit at The Fourth Universalist Society in the City of New York until June 2024.
After an exhibition by Thomas ZITZWITZ, Museum Gegenstandsfreier Kunst in Otterndorf continues with Gilles TEBOUL’s solo show “BorderLight” curated by Ulrike Schick from June 25 to October 1, 2023.
A referential essay by Jean-Claude Le Gouic on Rainer GROSS’s paintings published by la critique.org
Jean-Luc and Takako Richard are very pleased to announce that they represent Monique van Genderen, based in Los Angeles and La Jolla. Van Genderen’s work traverses material and conceptual experimentations in abstraction. Her works are in the following collections: Le Consortium Dijon, France, Los Angeles Museum of Contemporary Art, the Albertina Museum, Vienna, Museum of Contemporary Art in San Diego and the GSA arts in Architecture program for the new Federal Courthouse in Harrisburg, PA. She is represented by Vielmetter Los Angeles Gallery and Miles Mc Enery Gallery in New-York. Photographer credit: Lile Kvantaliani.
On June Issue 2023 in WhiteHot Magazine, art critic and curator Lara Pan wrote a review about the exhibition in Pompidou Center titled “Who you Staring At? : Visual Culture of the No Wave Scene in the 1970s and 1980s, with a specific focus on Joseph NECHVATAL’s works.
Centre Pompidou Photo by Hélène Mauri.
Jean-Luc and Takako Richard are very pleased to announce that they represent Marc RENARD, born in Brussels in 1963.
His abstract canvases are noticeable for their harmonies of often very vivid colors. One then distinguishes several rhythms moving in space and finally one discovers their three-dimensionality by his superimpositions of pictorial layers.
Marc RENARD had a solo exhibition in 2020 at the Mark Rothko Art Center in Daugavpils, Latvia.
The Marc Minjauw Gallery represents the artist in Brussels since 2015.
The Centre Pompidou Metz presents works by Dionisio GONZÁLEZ on the exhibition “Les Portes du Possible, art & science-fiction” from November 5 to April 10, 2023.
Joseph NECHVATAL exhibits at the Centre Pompidou during the exhibition Who You Staring At?: Visual culture of the no wave stage in the 1970s and 1980s February 1 – May 1, 2023.Space of Collections film, video, sound and digital works
Centre Pompidou Museum, level 4
L’H du Siège, Contemporary. Art Center, Valenciennes If you’re wise, you’ll get an image
Curated by Romain MATHIEU
Rémy HYSBERGUE, Jérémie SETTON and Alain SICARD
September 10 to November 19, 2022
Monograph Philippe HURTEAU _Overview
On the occasion of the exhibition, publication under the title _Aperçu, of a 120-page work, with 73 illustrations, an edition numbered 300 copies.
The book shows the various series that make up his work by Philippe HURTEAU and anchoring recent research on older pieces.
DIFY Diaspora, in memory of Dave Hickey is a tribute to one of the art world’s more high regarded and widely read art critics; who passed late 2021.
Dave Hickey has supported David RYAN since he was his university student. He wanted him to one day create a painting in the classic format, which he did in his tribute.
The Micro Mondes show at Musée du quai Branly opened last night in Paris with the work of Joseph NECHVATAL the Viral Venture a-life virus-modeled animation ~ it will be there from June 8th to September 11th at quai Branly.
StrokeRollFoldSheetSlabGlitch is the first survey of works by Los Angeles-based artist Linda BESEMER. This exhibition emphasizes BESEMER’s ongoing commitment to exploring alterity through conscious “othering” of abstraction […]. Featuring twenty-three works produced between 1993–2021, the exhibition showcases key moments in BESEMER’s career, taking visitors on a journey through the evolution of their practice, starting with early traditional gestural abstraction, exploring their “detachables” works, and culminating with their most recent glitch series.
At Galerie Richard Jeff ELROD had a solo exhibition in 2011; Dan HAYS has been represented by GR since 2022 and will have a first solo exhibition in March 2022; Philippe HURTEAU has been represented by GR since 2022 and will have a solo exhibition at GR in November 2022;
Rémy HYSBERGUE has been represented by GR since 2021 and is now exhibiting;
Joseph NECHVATAL has been represented by GR since 2008.
Jean-Luc and Takako Richard are very happy to announce that they represent Thomas ZITZWITZ.
Internationally recognized as the Master of abstract spray paintings, he his recognized internationally in Europe and the USA.
Ses oeuvres sont dans les collections AXA, Kolumba Museum Cologna, Museum Wurth…
From 07.04.2021 – 06.03.2022 the Borusan Contemporary Art Center, exhibits “Les Abîmes”, 2006 by Hervé HEUZÉ. “Hervé HEUZÉ places at the center of his work a monument made of mesh, which stretches deep in the sea, rising towards the surface like woven pyramids of fishnets, with threads that get tangled as it approaches the light. HEUZÉ unites two abimes, namely those that expand from the surface to the bottom of the sea and from the horizon to the uppermost level of the atmosphere.” Text written by Borusan Contemporary
Collect, the first art magazine in Belgium reviews Christophe AVELLA-BAGUR’s solo exhibition titled The Mourners” in Palais in Arlon, Belgium (1 illustration).
The National Museum Berlin presents The Gods threw the Dogs a Bone, a group show curated by John Hodany gathering Lucio Auri, George Barber, Birte Bosse, Maria Bajt, Kuno Ebert, Sven-Ole FRAHM, John Hodany and Jennifer Jordan, starting Sunday, May 30, 2021.
The Palais of the City of Arlon, Belgium, will present a solo exhibition of Christophe AVELLA-BAGUR titled “Les Pleureuses” from June 4 to July 16, 2021.
It is with great sadness that we announce the death of Alain KIRILI on May 19, 2021 in New York, at the age of 74. Born in 1946 Alain KIRILI is known for his sculptures in wrought iron, but also in plaster. Classified as Post-Minimalist, he freed himself from it and highlighted sensuality, spontaneity and improvisation with more complex aesthetics. Together with Ariane, he contributed a lot to sharing his passion for free jazz by organizing regular concerts in his loft in Tribeca. Ron GORCHOV and Alain KIRILI offered a beautiful exhibition at Galerie Richard, Paris from October 19 to December 30, 2009.
Jean-Luc and Takako Richard are very happy to announce that they represent Rémy HYSBERGUE. Born in 1967 in Valenciennes, Rémy HYSBERGUE is one of the most important abstract painter of his generation in France. He exhibited in Galerie Jean Brolly and Nancy Hoffman Gallery. His works are in the collections of Fonds National d’Art Contemporain, the collections of several FRAC, the Oohara Museum in Japan.
The annual Glass House Summer Party and benefit Auction provides critical funding towards the preservation of their site. Linda BESEMER and the gallery will present Twisty Glitch Black, 2016, first Glitch painting. The auction will be live Friday, May 28, Saturday, June 12 @ 4pm EST.
The Museum Pfalzgalerie in Kaiserlautern, Germany, just purchased a large painting by Rainer GROSS “Munteanu Twins” from 1998, 244 x 244 cm. Dr. Buhlmann, the museum Director and Rainer GROSS pictured here with the painting at his Cologne studio last year.
Viral symphOny is a collaborative electronic noise music symphony created by the post-conceptual artist Joseph NECHVATAL. It was created between the years 2006 and 2008 using custom artificial life C++software based on the viral phenomenon model. Tonight Harvestworks will broadcast Audio Track #1 (28 min) bracketed by excerpts from interviews with the artist in 2009 by Anthony Masterson and in 2013 by Joan Westenberg.
In this challenging time for artists, art galleries, not-for-profit associations supporting artists, artist Joseph NECHVATAL and Galerie Richard are donating one hundred viral symphOny CD’s created by Joseph NECHVATAL (with Matthew Underwood, Andrew Deutsch, and Stephane Sikora) to Harvestworks Digital Medias Art Center in New York City. Founded as not-for-profit-organization by artists in 1977, Harvestworks has helped a generation of artists create new works using technology. For the first 40 +years, Harvestworks has offered artists on-site production studios, workshops, and classes in emerging technologies.
We sadly announce that Ron GORCHOV passes away on August 18, 2020 at his home in Red Hook, Brooklyn at the age of 90. Ron GORCHOV was an American abstract painter widely known for his soft shaped canvases paintings. Galerie Richard represented him and exhibited his works in Paris and New York from 2009 to 2013.
The Santa Barbara Museum of Art will present an exhibition titled “In the meanwhile…Recent Acquisitions of Contemporary Art” featuring works never before exhibited at SBMA from March 22 – August 30, 2020. The oil painting on paper “Underground Night Studio”, 2014 by Scott ANDERSON, purchased from Galerie Richard will be presented in Part I (March 22 – July 5) of this two-part exhibition, presenting over 30 works on paper encompassing drawings, prints, and photographs. This exhibition is curated by Julie Joyce, Senior Curator, ArtCenter College of Design (and former SBMA Curator of Contemporary Art).
Jean-Luc and Takako Richard are very pleased to announce that they represent Chris FINLEY in the USA and Europe. Exhibitor in the “Post-Digital Painting” exhibition at the Cranbrook Museum in 2002, Chris FINLEY is part of the generation of painters who faced the digital revolution and has succeeded to relate it in the History of Painting. His work is in the permanent collections of the Museum of Modern Art in New York, the Los Angeles County Museum in Los Angeles, the Museum of Contemporary Art in Los Angeles, the San Francisco Museum of Modern Art in San Francisco, to cite a few.
A catalog of Jeremy THOMAS’ solo exhibition at Richard New York, 8 x11 hard copy cover, 43 pages, 51 color reproductions of works, details and exhibition views, is published by Shutterfly.
Two screen prints by Carl FUDGE Flatland 2008 and Flipstick 2008 are now in the permanent collection of the Metropolitan Museum in NYC.
TK-21 (#101) publishes a review by art critic Siba Kumar Das titled “Electronic Nostalgia, KIM Young-Hun at GALERIE RICHARD” with 11 illustrations.
Linda BESEMER’s abstract paintings are featured in the exhibition Queer Abstraction, which brings together abstract works by 20 artists who invite us to address the complexity of sexuality and gender identity in the 21st century from November 21, 2019 to March 8, 2020.
In Whitehot Magazine on December 2019 issue, art critic Gae Savannah wrote an excellent review about Carl FUDGE’s exhibition at Richard NY titled “Provocative Lattice -Carl FUDGE. at Galerie Richard” dedicated to his first screenprints 2000-2008.
A catalog of Rainer GROSS’ solo exhibition at Richard NY, 8 x11 hard copy cover, 35 p, 36 color reproductions of works, details and exhibition views and a text by Michael Schneider in English is published by Shutterfly.
The editor of artdaily.com has published a review of Rainer GROSS’ solo exhibition at Galerie Richard New York titled “Galerie Richard now representing Rainer GROSS in New York and Paris” on November 25th 2019.
L’éditeur d’art daily.com a publié un compte-rendu d’exposition personnelle de Rainer GROSS à Galerie Richard NY intitulé “Galerie Richard représente maintenant Rainer GROSS à New York et à Paris”, le 25 novembre 2019.
Artist and critic James Kalm posted a video on September 5, 2019 on YouTube about the exhibition Contact Paintings by Rainer GROSS at Galerie Richard. Kalm has known Rainer GROSS for a long time and values the details of his work.
Arcade Project publishes a conversation between Gustavo PRADO and art critic Chris Bors titled “Altered Perceptions” with 5 illustrations, related to Gustavo PRADO’s exhibition at Richard NY.
Gustavo PRADO in conversation with Saul Ostrow on June 11th, 2019 at Richard NY! Watch on Youtube.
Sima News published as it does every year its personal selection of the best artworks presented on Art Paris 2019 and chose the paintings of Kiyoshi NAKAGAMI in a solo show on the booth of Galerie Richard. Thanks to cultural journalist Florence Yérémian (2 illustrations).
The Center for Contemporary Arts, Santa Fe, New Mexico, presents a solo exhibition of Jeremy THOMAS titled “Jeremy THOMAS: Unintended Consequences” from February 1 to April 21, 2019.
Odelle Abney made a video about KIM Young-Hun’s opening show published on Youtube. Odelle Abney excels in showing the works through zooms and fade transitions.
Joseph NECHVATAL’s painting “Push” has been recently donated to the collection of the Art Institute of Chicago by the collector, Dr. Glen D. Nelson.
Art critic and artist Riad Miah from Two Coats of Paint published a review titled “Dennis HOLLINGSWORTH: Pushing paint and painting” related to the exhibition “Burgeoning” at Richard New York on February 22nd, 2019, showcasing 9 works from the exhibition.
Artforum publishes an obitury on Alex BROWN (1966 – 2019) who has died on January 31st, 2019 following an aneurysm. He was a musician who played guitar in the hardccore punk band Gorilla Biscuits, and more importantly a major painter in the generation which embraced the digital revolution and, understood how it was inspirational to new digital aesthetics in painting. He has been exhibited in New York at Feature Inc. from 1998 until its closing in 2014 and at Galerie Richard in New York in 2018.
Artist and critic James Kalm posted a video on February 1st, 2019 on Youtube of his visit to Dennis HOLLINGSWORTH’s show titled Burgeoning at Galerie Richard NY. James Kalm is an expert of the artist’s work and has a great ability to showcase details while posing discussion.
Wall Street International Art selected Kiyoshi NAKAGAMI’s one-man show at Galerie Richard New York in their exhibitions’ reviews on January 8, 2019, with 4 exhibition views.
Lauren MARSOLIER was featured in a two-page spread in the November, 2018 issue of Photonews Magazine.
Wall Street International published a review of “Color Matters” on November 9, 2018 with 4 exhibition views.
Artist and art critic at Art Spiel Sharilyn Neidhardt wrote a descriptive review titled, “Color Matters at Galerie Richard” on November 9th, 2018, Including 7 illustrations.
Artist and critic James Kalm posted a video on November 2nd on Youtube of his visit to the Color Matters exhibition at Galerie Richard in New York. His ability to improvise accurate comments at the same time he is showing you details of works is impressive.
Art Critic Audra Lambert wrote a laudative review titled “The Lure of ‘Color Matters’ at Galerie Richard” on Ante posted on November 1st, including 5 exhibition views.
Jean-Luc and Takako are very pleased to announce that Galerie Richard in Paris represents Sebastian LUDWIG. Born in 1977 in Groß Strehlitz in Poland, German artist Sebastian LUDWIG lives and works in Düsseldorf, Germany. He takes the time necessary to develop works which have a density of visual testament on our contemporary time for the future generations. His paintings already seem to possess this patina, this effect of progressive disappearance peculiar to very old paintings.
Jean-Luc and Takako are very pleased to announce that Galerie Richard in New York and in Paris represent KIM Young-Hun. Born in South Korea in 1964, the artist lives and works in New York and in Seoul. “I see my paintings as lying in one of the cracks that are located in between the digital world and the analog world…The paintings combine a traditional Korean painting technique called Hyukpil, that uses a leather ink brush with contemporary Western pop-abstract digital language”.
Jean-Luc and Takako are very pleased to announce that Galerie Richard in New York and in Paris represent Dennis HOLLINGSWORTH. Born in Madrid, Spain in 1956, the artist lives and works in New York and in Tossa de Mar, Spain. Dennis HOLLINGSWORTH enlarges the visual third dimension of a painting by directly sculpting the oil paint on the canvas.
Titled “Love and devotion, over and over again by Scott Anderson”, Christina Nafziger wrote a text about painter Scott ANDERSON and interviewed him in Art Maze Mag Autumn 2018. 9 reproductions of his paintings and his portrait in his new studio.
Un compte-rendu d’exposition de référence sur l’exposition “Builds” de Carl FUDGE par le critique d’art Jonathan Goodman, publié sur artefuse le 1er octobre 2018 intitulée “Carl Fudge Keeps on Building at Galerie Richard” (5 illustrations).
Jean-Luc and Takako are very pleased to announce that Galerie Richard represents Eduardo PORTILLO. Eduardo PORTILLO was born in El Congo, El Salvador in 1986 and currently lives and works in Houston, TX. His work is about light, space and color. The lateral edges in his paintings and sculptures are as important as the frontal plane, as he wishes to move the flat pictorial plane into three dimensions. Since his beginnings he has been developing a unique aesthetics characterized by dents of resistance dispersed in unexpected ways, as if the material itself had the last word.
Jean-Luc and Takako are very pleased to announce that Galerie Richard represents Koen DELAERE in the U.S.A. Koen DELAERE was born in Bruges, Belgium, in 1970 and currently lives and works in Tilburg, Netherlands. DELAERE’s procedure of painting is to combine a predetermined grid and spontaneous energetic splashes of paint which flow depending on gravity and patterns. The artist wishes his paintings suggest the viewers the layered and dynamic work process that was necessary to come to a finalized painting.
A referential review by art critic Chloe Hyman in Canvas and Crumpets which brilliantly explains what Sven-Ole FRAHM’s newest works are about (3 illustrations).
A concise and dense review in Almanart on Laurence PAPOUIN new paintings-sculptures at Galerie Richard Paris written by the Publisher and contemporary art collector Jacques de Maisonneuve, a tireless talent-spotter.
‘Building And Tree 2’, 2013 by Lauren MARSOLIER – 24×36 in- Ed 3/7 enters the collection of the Creative Center for Photography in Arizona. The Center for Creative Photography (CCP), established in 1975 and located on the University of Arizona (Tucson) campus, is a research facility and archival repository containing the full archives of over sixty of the most famous American photographers including those of Edward Weston, Ansel Adams, Harry Callahan and Garry Winogrand, as well as a collection of over 80,000 images representing more than 2,000 photographers.
Art Critic L. Brandon Krall reviewed in Quiet Lunch Joseph NECHVATAL’s solo exhibition at Galerie Richard New York , “Computer Virus 1.0 and the return of Lazarus” on November 22, 2017 (9 illustrations).
Galicia en el Mundo announced the visit of Román Rodriguez, Counsellor of Culture and Education at the exhibition of Antón LAMAZÁRES at Galerie Richard in New York.
On September 23, 2017, Artdaily.org presents Antón LAMAZARES – NICOLAI’s first exhibition in the USA at Galerie Richard with one reproduction.
Hyperallergic published a review by Peter Malone about Dionisio GONZÀLEZ’s New York solo show “Thinking Central Park and Dialectical Landscape” at Galerie Richard featuring 7 illustrations.
6sqft published a review by Dana Schulz about Dionisio GONZÀLEZ’s New York solo show “Thinking Central Park and Dialectical Landscape” at Galerie Richard New York featuring 11 illustrations.
Arte Fuse published a review by Kate Menard about Dionisio GONZÀLEZ’s New York solo show “Thinking Central Park and Dialectical Landscape” at Galerie Richard NY featuring 9 illustrations.
Art and Only published an interview with artist Joseph NECHVATAL in which he discusses his life career as well as his inspirations and technological influences.
Independent.ie published a review titled “See New York’s Central Park with a difference thanks to an artist’s imagination” by Nicola Irwin about the Dionisio GONZÁLEZ solo show in New York with 8 illustrations.
Highsnobiety published a review titled “NYC’s Central Park & Skyline Get a Futuristic Reimagining” by Renz Ofiaza about the Dionisio GONZÁLEZ solo show in New York with 8 illustrations.
quepintamosenelmundo? publishes a review titled “Dionisio GONZÁLEZ: “Dialectical Landscape – Thinking Central Park” Galerie Richard” about the artist solo show in New York with one illustration.
Under the excellent title “What if Lady Gaga and J.D.Salinger helped Design Central Park?”, a great review by art critic Jake Offenhartz in Gothamist.com with eight reproductions of the exhibited works by Dionisio GONZÁLEZ at Galerie Richard New York published on July 11, 2017. Review reproduced in notey.com
Art Historian Pauline Lütgenau added in Artrabbit.com a review titled “Dionisio GONZÁLEZ fifth solo exhibition at Galerie Richard New York is about New York City through two Series of works: Dialectic Landscape and Thinking Central Park” with a reproduction of Dialectical Landscape 6.
Artdaily.org, the first art newspaper on the Net, publishes a review titled “Galerie Richard presents two series of works by Dionisio GONZÁLEZ” with a reproduction of Dialectical Landscape 7 on July 10, 2017.
Afinelyne presents Dionisio GONZÁLEZ’s exhibition at Galerie Richard in New York on GothamToGo with two reproduced photographs from the Series Rethinking Central Park published on July 10, 2017.
Art Critic Eden Gordon wrote a review on Dionisio GONZÁLEZ’s exhibition in Untapped Cities titled “Thinking Central Park Exhibition Reimagines Park with Fantastical Refuges and Shelters” with images of four works from the Rethinking Central Park Series and images of four works from the Dialectic Landscape Series exhibited at Galerie Richard, New York, published on July 7th, 2017. Review reproduced in News of New York.
Howard Hall, editor-at-large and chief art critic for Time Out New York wrote a very interesting critic of Dionisio GONZÁLEZ’s new exhibition at Galerie Richard titled “See trippy futuristic plans for Central Park and midtown” with 5 reproductions of the works. Posted Thursday, July 13, 2017.
Photography-now.com a publié le 5 juillet 2017 un article intitulé “Dionisio GONZÁLEZ Dialectical Landscape – Thinking Central Park” avec 3 illustrations.
Christophe AVELLA-BAGUR will have a solo exhibition in the Segal Museum in Aups (Var) from September 2 to 30, 2017. He will present his New Apostles Series.
Jeremy THOMAS’s show “Tanked” gets a review by critic and photographer Eric Simon in Actuart dated April 24th, 2017.
Joseph NECHVATAL’s penelOpe pandemOnium painting from his New York show at Galerie Richard gets a review by Taney Roniger in Whitehot Magazine.
David RYAN exhibits recent paintings at the Nevada Museum of Art, Las Vegas, in the exhibition titled” Tilting the Basin: Contemporary Art of Nevada”, from March 17 until May 14, 2017.
Lauren MARSOLIER’s work is part of “Insights : New Approaches to Photography since 2000”, curated by Alexander Montague-Sparey, Artistic Director Photofairs and Allie Haeusslein, Associate Director, Pier 24 Photography. PhotoFairs San Francisco, January 27-29, 2017.
In Aesthetica, Issue 74, a presentation of Lauren MARSOLIER’s works entitled ‘Estranged Landscapes’ with eight high quality reproductions, p28-39.
‘Pine Against Painted Background’ by Lauren MARSOLIER is part of The Billboard Creative Show 2016 in L.A., which is taking place from December 1 2016 thru January 8, 2017. Billboards have been installed to instill some art along the City’s thoroughfares. Pine Against Painted Background can been seen at the intersection of Sunset Ave and Silverlake Blvd.
Writer, editor, curator, artist and lecturer Paul Laster selected “Carne” by Scott ANDERSON at Galerie Richard’s booth on Untitled Miami Beach 2016 in his review in Whitehot Magazine about Nada and Untitled.
Almanart presents Christophe AVELLA-BAGUR’s new paintings at Galerie Richard Paris with a reproduction of Bleuité.
Lohring Knoblauch wrote a comprehensive review on Lauren MARSOLIER’s exhibition at Galerie Richard New York in Collector Daily including nine exhibition views.
Michael Anthony Farley selects Lauren MARSOLIER’s solo show Dislocation at Galerie Richard NY as This Week’s Must-See Events in artfcity (1 illustration).
Jonathan Curiel wrote a review on the new Lauren MARSOLIER’s Series “Dislocation” presented in San Francisco on sfweekly.com (1 illustration).
Kim Beil wrote a review on Lauren MARSOLIER’s new Dislocation Series on artforum.com (1 illustration).
Le Musée Privé.com selected Joseph NECHVATAL’s exhibition titled Destroyer of Vanités: Computer Virus 1.0 (2 illustrations).
Calm Chaos is a new book by artist Christophe AVELLA-BAGUR, 54 pages including 25 new oil paintings from 2014 to 2016 dealing with two new sets of works : “Face FS New Apostles” and “Face FS Golgoth’Art”. You can order them directly to lulu.com.
Photographs from the Favelas Series and the Halong Bay Series by Dionisio GONZALEZ will be on view in the exhibition titled “Artists and Architecture : Projection / Convergence / Intersection” at Moss Arts Center, Blacksburg, VA, from January 19 to April 8, 2017. The Curator at Large Margo Crutchfield will gather works by James Casebere, Dionisio GONZALEZ, Candida Hofer, Matthew Kolodziej, Jean-François Rauzier and Jennifer Williams.
David Olivant in ART LTD, Sep/Oct, 2016 wrote an brilliant essay about Scott ANDERSON ‘s solo exhibition titled “Supper Club” at Nerman Museum of Contemporary Art at Overland Park, Kansas (1 illustration).
A great display of recent works by Christophe AVELLA-BAGUR in the book titled “Peinture Contemporaine”, written by Athena’s Rz, published by Editions Le Comble.
Christophe AVELLA-BAGUR participates in a group show entitled The Strength of Painting – Around French Culture at Caves de l’Hôtel de Ville and Galerie du Comble in Virton, Belgium, from September 24 to October 2, 2016. Curator: Athena’s Rz.
The Nerman Museum (NMoCA) in Overland Park, KS, will present Supper Club, Scott ANDERSON’s solo exhibition from June 23, to September 25, 2016. An opening reception will take place from 6 to 8 pm., in the museum Atrium.
Lauren MARSOLIER’s interview by Béatrice Chassepot in all about photo.com (4 illustrations).
Joseph NECHVATAL is showing his 1% Owns 50% of The World (2014) animation continuously in the lobby of Anthology Film Archives during open hours at 32 2nd Avenue, NY, NY, from May 16 to May 22, 2016. Galerie Richard at 121 Orchard is showing the painting 1% Owns 50% of The World (2014), 36″ x 36″ x 2 (diptych) in the gallery on request.
Lauren MARSOLIER will have a solo exhibition at Centrum Kultur Zamek in Poznań, Poland, in September 2017.
Jean-Luc and Takako are very pleased to announce that Galerie Richard represents Jeremy THOMAS in New York and France. Jeremy THOMAS is born in Mount Vernon, Ohio, in 1973 and he lives and works in New Mexico. As he explains: “to me, working in material, it’s a back-and-forth between the artists says this, the material says that”. By injecting air into malleable steel that’s heated 2000 degrees, he creates and develops a complete new vocabulary of spontaneous organic sensual shapes that he also playfully mix with other three dimensional abstract languages.
Peter ROGIERS has a solo exhibition titled “Cluster” at the Middelheim Museum in Antwerp opening on Saturday, May 21th until September 18th, 2016. The Belgian artist will be displaying new work and key work from the last 20 years combined with pieces he carefully selected from the museum’s collection. A new publication accompanies the exhibition.
A Lauren MARSOLIER’s interesting interview by Béatrice Chassepot in be-Art magazine (6 illustrations).
Jean-Luc and Takako Richard are very pleased to announce that Galerie Richard represents Scott ANDERSON again in Europe. The gallery exhibited his works in Europe for the first time in 2004. Scott Anderson is born in Urbana, Illinois in 1973 and lives and works in La Cienega in New Mexico. His figurative paintings are challenging our visual understanding and they oblige us to recognize how much this ignorance and uncertainty is the conscious contemporary way to perceive our present world.
Dionisio GONZÁLEZ participates in the exhibition titled “MoCP at 40” at the Museum of Contemporary Photography in Chicago, IL, with Nova Heliopolis III which was purchased by the museum in 2008. The exhibition runs from January 25th to April 10th, 2016.
Our exhibition at GALERIE RICHARD NY “I’ll Meet You There” of William BRADLEY is featured by art critic Meg Busacca on Fashion Times as 1st of “5 Must-See NYC Art Exhibitions”.
Collectors Susan and Michael Hort selected William BRADLEY as one of their favorites artists during Armory Week 2016.
In Huffpost Arts & Culture, a comprehensive review by D. Dominick Lombardi, art writer and curator, on the gallery move in Lower East Side, the gallery program, and comments on the artworks from the seven artists part of the exhibition “Painting into Three Dimensions” in the New York gallery.
Artsper has listed LI Wei as one out of 10 most important Chinese Contemporary artists to absolutely follow in the New Year.
“Playground 3” by Lauren MARSOLIER is on view at The Center for Creative Photography in Tucson (AZ) as part of “The Lives of Pictures: 40 years of collecting” – October 10, 2015 to May 14, 2016 (in the New Acquisitions section).
Kiyoshi NAKAGAMI ‘s paintings are part of the show entitled “Dawn of Gods” – Encounter of Venus, and Spiritual Landscape, East and West at the Oita Prefectural Art Museum from October 31, 2015 thru January 24, 2016.
Norio IMAI and Takesada MATSUTANI exhibit together in a group show dedicated to Gutai art at the Karuizawa New Art Museum on view until January 31st, 2016.
Joseph NECHVATAL is interviewed by Thyrza Nichols Goodeve in The Brooklyn Rail Dec 15, 2015- Jan16, 2016.
Taney Roniger wrote a review on Joseph NECHVATAL’s exhibition at Galerie Richard in New York titled “Infected Paintings as an Allegory of Migration” in Hyperallergic published on December 7, 2015 with 4 illustrations.
Jean-Claude Le Gouic reviews Norio IMAI’s exhibition in Galerie Richard Paris on lacritique.org.
Lauren MARSOLIER wins the first prize International Photography Award in the Fine Art Book category 2015 for ther book Transition.
Joseph NECHVATAL a réalisé une performance de lecture de poésie enregistrée de son premier livre de poésie intitulé Destroyer of Naivetés publié chez Punctum Books, avec la voix de Black Sifichi et la musique de Rhys Chatam, le samedi 21 novembre à Galerie Richard à New York.
GALERIE RICHARD reopens in New York at 121 Orchard Street in the Lower East Side on October 9, 2015 with a LI Wei’ s first solo show at the gallery entitled “Beyond Gravity” which runs up to November 14, 2015.
The third edition of the book Digital Art written by Christiane Paul published by Paperback is out featuring works by Joseph NECHVATAL (2 illustrations of the artist’s paintings).
Sven-Ole FRAHM participates in a group show titled 7 Berliner Kunstler in Maglehem a place on earth. The exhibition takes place in Maglegarda, Sweden from June 18 to June 28, 2015.
Jean-Luc and Takako Richard are very pleased to announce that Galerie Richard now represents Chinese artist LI Wei in the United States. He performs in his own digital photographs, challenging gravity and viewers’ uneasiness related to vertigo and fall.
Centre Pompidou presents a “New presentation of modern collections 1905 – 1965” displaying its recent acquisitions, which includes a painting by Takesada MATSUTANI titled Work A65-1, 1965 from May 27, 2015 to May 22, 2017.
Galerie Richard was recently featured in Culture Map Dallas, selected as one of four galleries to visit at Dallas Art Fair, with one illustration of an artwork by David RYAN on display in the fair.
Barbara Borek reviews Joseph NECHVATAL solo show “bOdy pandemOnium : Immersion into Noise” at Art Laboratory Berlin in art in berlin.
Christophe AVELLA-BAGUR will participate in the exhibition “The Selfie Show: An Art Exhibition of Self-Portraits” at the Museum of New Art, Detroit, MI, from May 8th to June 6th, 2015.
The Los Angeles County Museum of Art has acquired Lauren MARSOLIER’s two works “Buildings and Pines” and “Black Square” for their collection. Congratulations Lauren!
After his last exhibition in Berlin, The Nelimarkka Foundation in Helsinki has purchased two paintings by William BRADLEY for their collection.
Norio IMAI is presenting his work in the show A Turning Point in Postwar Japanese Art – 1974 at the Museum of Modern Art in Japan until November 3. Additionally, ARTCOURT Gallery has recently published his book Norio Imai, Gutai and Later Work.
Art critic Daniel Gauss selected Kyoshi NAKAGAMI’s exhibition at Galerie Richard as one of his favorite gallery shows of 2014.
The Virginia Museum of Fine Arts in Richmond, Virginia has purchased Shirley KANEDA’s painting “Disloyal Devotion” for their permanent collection.
Artworks by Dionisio GONZÁLEZ are presented on the cover page and inside the new book titled “Imagine Architecture” which explores the relationship between Art and Architecture, published by Gestalten (240 pages).
Dionisio GONZÁLEZ participates to a panel talk along with Elias Redstone (author, Shooting Space), Pedro Gadhano (Curator of Contemporary Architecture, MoMA), Marion Weiss (architect, Weiss/Manfredi), Sze Tsung Leong (photographer), presenting the book Shooting Space published by Phaidon Press which contains Dionisio GONZÁLEZ’s works. NeueHouse, 110 East 25th Street, New York, NY on October 27, 7 – 8 pm.
Aline Smithson presents in Lenscratch the series of photographs “Transition” by Lauren MARSOLIER in accordance with the launch of her new book published by Kerber Verlag (16 illustrations).
Lauren MARSOLIER will participate in a panel discussion at the Tate Modern in London along with four other photographers (Thomas Struth, Mishka Henner, Penelope Umbrico, and Massimo Vitali) on November 19, 2014 to talk about landscape in contemporary photography.
Joseph NECHVATAL was interviewed by Katia Haus Moore at FAQ mag (1 illustration).
Lauren MARSOLIER’s photographs Buildings and Pines (2010) and Playground 3 (2011) have been acquired by the Phoenix Museum of Art, Phoenix, AZ for their permanent collection.
An excerpt of an interview between David Ryan and Shirley KANEDA from Ryan’s book Talking Painting is featured on Julia Morisoe’s blog 13 Ways of Looking at Painting.
Sven-Ole FRAHM is part of the group show entitled Für immer Frühling at Stiftung Bartels Fondation / Zum Kleinen Markgräflerhof in Basel from June 13 until June 29, 2014.
All AVELLA-BAGUR’s actuality in an article by Vastia Voynovskaya published on Hifructose, April 28, 2014.
ARTSY‘s review of John M ARMLEDER’s recent paintings entitled :The Puddles, Lakes, and Maelstroms of John M ARMLEDER which is part of the exhibition also featuring Jean CARZOU at Galerie Richard NY.
Under the title “The Painterly and the Linear: Shirley KANEDA and Robert MANGOLD”, the art critic David Carrier compares in artcritical these two abstract painters exhibited in May in their respective galleries at Galerie Richard and Pace (4 illustrations).
Taney Roniger reviews Norio IMAI’s solo show at Galerie Richard in The Brooklyn Rail, April 2nd, 2014 (1 illustration).
A Christophe AVELLA-BAGUR’s rare interview by Nicoletta Lolli entitled Will and obstinacy – Christophe Avella-Bagur in The PasseNger Times ∅ photography & artwith five reproduced works and two videos.
Christophe AVELLA-BAGUR has a solo show titled Face FS Farglivert at Château des Templiers in Gréoux-les-Bains from April 4th to April 27th ,2014.
Art critic Edward M. Gomez writes a meaningful review in hyperallergic.com on March 15, 2014 entitled Norio IMAI and Tsuyoshi Maekawa’s New York debuts: Outside Japan, the enduring Lure of Gutai. (3 gallery exhibition views).
Galerie Richard is pleased to present Norio IMAI in his New York solo debut exhibition Perspective in White from February 13th through March 29th. The artist joined the Gutai Art Association in 1965 and was the youngest of the avant-garde collective of postwar era Japan. Imai gained early recognition for his white monochrome works that featured a sculptural quality.
Lauren MARSOLIER included by W.M. Hunt in his public talk “The Ten Most Exciting Photographers I Learned About This Year” held at the Phoenix Art Museum, AZ, on February 5, 2014. Hunt has 35 years expertise as a photography collector, curator and art consultant in New York City.
Dionisio GONZÁLEZ and YANG Yi exhibit together for the first time in an exhibition titled Beyond Earth Art, curated by Andrea Inselmann at the Johnson Museum of Art at Cornell University in Ithaca, NY from January 25th thru June 8th, 2014.
The Museum Haus Kasuya in Yokosuka presents a solo show of new paintings by Kiyoshi NAKAGAMI from January 8th thru March 16th, 2014.
We are very pleased to announce that Galerie Richard now represents Lauren MARSOLIER. Born in Paris in 1972, she now lives in Los Angeles. Using the medium of photography, she intentionally builds pixels by pixel soundless and motionless landscapes. She recently received the 2013 Houston Center for Photography Fellow Award.
Le musée national d’art moderne – Centre Pompidou Paris a acquis la peinture de Takesada MATSUTANI, “Work – A 65 – 1” 1965.
The Museum of New Art (MONA) in Detroit, MI, will present Documenta USA this September 28th, 2013, boasting the participation of over 1000 artists in the largest art exhibition in the world with NYC’s renowned art critic Jerry Saltz to talk us through it all. An artist book by Christophe AVELLA-BAGUR including works on paper and sculptures will be displayed and will be part of the permanent collection of the museum.
Christophe AVELLA-BAGUR’s works will be presented at Celebrating N.A.M.E. 40 on September 21, 2013 at Bridegeport Art Center in Chicago, IL, from 6pm to 9pm.
Sven-Ole FRAHM’s “A Hole in the Wall is Nothing to Worry About , Part I” at Galerie Richard New York reviewed by Taney Roniger in The Brooklyn Rail dated September 4, 2013 (1 illustration).
“Halong Series”, the exhibition of photographer Dionisio GONZALEZ on view at Galerie Richard New York, presented by Wall Street International MagazineWednesday, 28 August 2013, includes 7 photographs.
Jean-Luc and Takako Richard are very pleased to announce that Galerie Richard now represents UK artist William BRADLEY in France and the United States. His work is often described as “abstract art about abstract art”. Viewing the idea of the pure abstract language as problematised by its lack of communication from artist to viewer, BRADLEY builds a more communal language of references or quotes from mostly American Abstract Expressionism including Motherwell, Still, Gottlieb, De Kooning, without giving the possibility for the viewer to mix his work with any artist specifically.
Takesada MATSUTANI’s retrospective “Gutai Spirit Forever” at Galerie Richard New York reviewed by Taney Roniger in Whitehot Magazine.
Wall Street International reviews Bram BOGART’s show at Galerie Richard Paris, May 15, 2013 with 7 color illustrations.
Several paintings by Christophe AVELLA-BAGUR on view in the group show entitled “Head” curated by Robert Curcio at Bosi Contemporary in New York from July 10 – August 11, 2013.
David RYAN exhibition “Object > Path> Outline Stroke” reviewed by David Pagel in the Critic’s Choice column of the LA Times, March 13, 2013.
David RYAN’s painting TVC15, 2007 was selected by critic, art historian and professor Dave Hickey as one of his ten favorite works of the past forty years in an article in Believer, an American art magazine.