Johanna Marie SCHIMMING was born in 1988 in Dresden, Germany, and graduated in 2011 from the Istituto Europeo di Design in Rome. She lives and works in Paris. Her abstract painting is characterized by a combination of gestural abstraction in matter, gradations of light and geometric forms. Her work has been exhibited in France, Germany, the UK, Italy, Belgium and South Korea.
Category: News
Nicolas GUIET exhibits at the Maif Social Club cultural center for a group show until January 4, 2025
“Finally, inspired by architect Le Corbusier’s Modulor, Nicolas Guiet invites us to interact with his sculpture, reminding us that our bodies are the scale of our relationship to the world.”
Les 3 Cha is exhibiting Nicolas GUIET’s exhibition called “Chambard Aconché” until December 15, 2024.
The art center “les 3 Cha” is organizing a solo exhibition by Nicolas GUIET entitled “Chambard Aconché”, featuring geometric installations. “Geometric elements emerge from the ground as other tubular elements rise up, invading the space to create a gigantic three-dimensional colored design in a visual breath organized by rising and falling rhythms. Orthogonality and curvature combine in a complementary dynamic harmony.”
Jean-Luc and Takako Richard are glad to announce that they represent Frédéric PRAT.
Jean-Luc and Takako Richard are glad to announce that they represent Frédéric PRAT. Frédéric PRAT was born in 1966 and graduated from the High School of Fine Arts in Paris in 1992. He lives and works in Paris. His paintings were exhibited mainly in France, Germany and Luxembourg. His works have been part of the MUDAM (Musée d’Art Contemporain du Luxembourg) Collection since 2008.
Actuart – “Truculences”
Eric Simon publishes a summary of new developments in Rémy HYSBERGUE’s abstract paintings in ACTUART.
GALERIE RICHARD represents Nicolas GUIET
Jean-Luc and Takako Richard are delighted to announce that they represent Nicolas GUIET.
“My work is an extension of the history of painting, and its approach, by enumerating its principles, relies on gestures traditionally attributed to the painting. Often a canvas stretched over a wooden frame, then painted. Sometimes, wooden panels are assembled and painted. A “light practice” of surface and color.
Color poses a real pictorial question of physical and sensitive space, but is itself an object. Most of the time, it comes from there, borrowed here and there from our most common, everyday chromatic environment. Extracted then reinjected, thus transformed by other connections and situations, its origin is then rather difficult to identify, and here again interpretation continues the presentation.”
Acquisition of Dan HAYS’s “Separation” by the Columbus Museum of Art in Ohio.
Acquisition of Dan HAYS’s “Separation” by the Columbus Museum of Art in Ohio.
Galerie Richard is delighted to announce that the Centre Pompidou in Paris has officially acquired these five works by Joseph NECHVATAL from the mid-1980s. They were exhibited (like this) in the No Wave show Who You Staring At: Culture visuelle de la scène no wave des années 1970 et 1980 last year that was curated by Nicolas Ballet.
Galerie Richard is delighted to announce that the Centre Pompidou in Paris has officially acquired these five works by Joseph NECHVATAL from the mid-1980s. They were exhibited (like this) in the No Wave show Who You Staring At: Culture visuelle de la scène no wave des années 1970 et 1980 last year that was curated by Nicolas Ballet.
Joseph NECHVATAL in Art of the 1980’s : As If the Digital Mattered by art historian Patrick Frank, published by De Gruyter. Who were the important artists of the 1980s? This book reconsiders this question in the light of the digital orientation of our culture since that time. Specifically, 5 artists used cutting-edge technologies during this decade in ways that prefigured many of today’s concerns: Joseph NECHVATAL, Lynn Hershman Leeson, Nancy Burson, George Legrady, Gretchen Bender. Translated with DeepL.com (free version)
Joseph NECHVATAL in Art of the 1980’s. July 17th De Gruyter publication of Art of the 1980s: As If the Digital Mattered by art historian Patrick Frank. Who are the important artists of the 1980s? This book urges a new look at that question in light of the digital direction of our culture since then. Specifically, 5 artists used advanced technology during that decade in ways that foreshadow many of today’s concerns. Joseph NECHVATAL, Lynn Hershman Leeson, Nancy Burson, George Legrady, Gretchen Bender.
Eric Simon publishes a fine synthesis of new developments in Shirley KANEDA’s abstract paintings in ACTUART.
Eric Simon publishes a fine synthesis of new developments in Shirley KANEDA’s abstract paintings in ACTUART.